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Leaving Madeleine - Part 12

My pie was blueberry. Brigitte had apple crumble à la mode. I don't remember what Patrick ate, though I am pretty sure it was cake. We talked about actors and actresses. About Ethan Hawke. About Sydney Lumet. About movies. Two hours flew by without a lull in the conversation. Brigitte had an impressive knowledge of film, rivaling my own. I admired her fondness of the Coen brothers and forgave her for worshiping David Lynch. My past as an actor and director impressed her and she made me promise to show her some of my work. When the conversation turned to music we found our tastes to be equally eclectic, crossing paths in the middle with Nina Simone and Serge Gainsbourg and dividing somewhere on the outer spectrum with underground hip hop for me and what can perhaps best be described as experimental trip hop for her. Her ethnicity was a mix of Chinese on her father's side and Cambodian and East Indian on her mother's side. Her parents had moved to Hong Kong just before the Kh...

Leaving Madeleine - Part 11

I left Kiyoko's for Le Danton . There was still enough room in the day to get some work done. On my way there I saw that Before the Devil Knows Your Dead was just about to start at the UGC cinema. The days wasted anyway, I justified. I bought a ticket, some candy and a beverage, and found a good seat in the theater. The film started. Immediately I was filled with nostalgia. I missed making films. I missed acting. Since I was very young, people had been telling me I resembled Ethan Hawke. It was one of the few comparisons I actually believed to be true. I didn't find it to be a compliment, nor did I think it was an insult. We did look alike. Same oblong face, jaw, nose, and big ears. I even got a job as his double once. The point of it all is that I feel a certain affinity with the actor. I didn't mind his performances, found him intelligent, thought he made a lot of good choices, and to top it off, he wrote decent literature. Not a bad guy at all. Compare me all you want...

Leaving Madeleine - Part 10

"Do you like Murakami?" Kiyoko asked, seeing me with the book. "One of the few contemporary authors I read. Always wondered what he's like in Japanese." "Probably same." "Probably, " I said. " 'Language is dead' they say, but I think that's only an excuse for bad writing. She brought the tea. "I don't understand." "Nevermind. Not important." I sipped the tea. It burned my lips and tongue. I quickly pulled the cup away from my mouth. "Careful, it's very hot!" "Yeah," I laughed and so did she. "Let it cool down a little. I put the cup down on the table. "So where are these clothes?" "Hm! Follow!" Kiyoko sprouted into action like someone shot off a starter pistol and led me to one of the many racks of clothes. She slid some pieces aside and pulled out a light grey suit, presenting it to me like a newborn baby. She located a generic, white Calvin Klein dress...

Leaving Madeleine - Part 9

Kiyoko lived about five minutes away from Saint-Michel. I arrived at her building ten minutes after eleven and called her from downstairs. "Moshi, moshi," she answered. "I'm here," I said. "Okay! I'm on second floor, 2A." A loud buzzer went off and I pushed open the massive door. "I'm in," I told her. "Yay!" And she hung up. The interior of the building, like the exterior, was old but well maintained. The staircase was wide and covered with a worn blue carpet. Two thriving jade plants guarded the base of the steps. I heard a door open. "Here," Kiyoko called down. I walked up two flights and met her outside her door. She was wearing black short shorts, a white tank top, and a yellow bra. Her legs were very thin, very smooth, and very pale, as if they had never been touched by the sun or the outside world. I wondered if they had. Her hair was tied back in a taut pony tail. She was beautiful effortlessly. She nodded a...

Leaving Madeleine - Part 8

Kiyoko was studying fashion at the Marangoni Institute. She had been in Paris for almost a year, arriving from Tokyo a few months before the start of her classes the previous fall. We talked for nearly two hours, only breaking from our conversation to answer occasional questions from Andre's replacement and occasional compliments to me from Parisian men regarding the beauty of my girlfriend. The compliments were for Kiyoko's benefit and I believe in hopes that I would offer the information that she was indeed not my girlfriend. I made no such offer. Kiyoko was a master at the smile and blush and she used them to full effect upon receiving the two or three advances. "Parisian men sure love Asian women," I laughed. "They love all women," she said. I couldn't argue. When we couldn't possibly stay at Le Danton any longer, we left. Walking along the sidewalk, Kiyoko asked me if I'd model some clothes for her. She had a few pieces for men and thought t...

Leaving Madeleine - Part 7

Madeleine was not waiting for me upstairs. The house lights flashed several times directing the audience to return to our seats. I decided to follow their advice. When I got to my seat, Madeleine was there waiting. “Where were you?” she whispered. “I came up, but you weren’t there,” I said. “There was a big line.” “I figured.” The show continued. Either I am unable to remember exactly what happened, or it was not memorable. Probably both. I believe Ariane escapes with Bluebeard’s former wives, convinces the townsfolk not to kill her husband and then annuls her marriage. Something like that anyway. What I do remember is feeling a tremendous amount of guilt; guilt for thinking of the Japanese girl on the subway and guilt for talking with and giving my number to the girl in a turquoise dress and red stockings. For the rest of the evening, I showered Madeleine with affection. When a man begins to contemplate infidelity, every woman that catches his attention becomes a more interesting pros...

Leaving Madeleine - Part 6

On Thursday I took Madeleine to the opera. A friend working on Ariane et Barbe- bleue gave me the tickets. I have not seen many operas and this particular show did nothing to increase my appetite for the art form. I am always impressed with the beauty and ability of the voices, however, having studied the craft of acting, I find it difficult to ignore the lack of believability in the performances. Moreover, the set design of this show, though detailed and elaborate, was, for the most part, confusing. By intermission, Ariane had opened the forbidden seventh door, found the lost and presumed dead wives of her husband, and was banished with them to the dark, hidden regions of Bluebeard's castle. Madeleine and I followed the rest of the patrons to the foyer. " Je vais aux toilettes , " informed Madeleine. "I'm getting a drink," I said. "Want anything?" " Un coke ," she said. I loved the way she said " un coke " and she knew i...